’22 WCC Men’s Basketball Champions Gonzaga Bulldogs Shirt

Affiliate Disclaimer: All products featured on Vogue are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission. On the ’22 WCC Men’s Basketball Champions Gonzaga Bulldogs Shirt in addition I really love this first day of London Fashion Week, the appreciation for Conner Ives’s catwalk debut was palpable as editors and showgoers took to social media with reviews like “reminding me why I love fashion” (@oliviapetter8) and “making rhinestones desirable again” (@tianweizhang). Ives, the New York–born designer who operates out of London, has collaborated with Rihanna, dressed Adwoa Aboah and Natalia Bryant for the Met gala, and created a reputation for “smarter, more responsible clothes” by reworking vintage to give old materials new life. And for today’s beauty looks, Y2K staples were similarly revived on faces sparkling with plastic gemstones. A cast of industry favorites including Edie Campbell and Paloma Elsesser as well as rising stars like Caren Jepkemei felt the buzz. “All the models were excited for the show,” says Jepkemei, who walked the runway in a halo of butterfly clips that fluttered over a yellow halter. “It was one of the best experiences—I felt so beautiful and free.”

’22 WCC Men’s Basketball Champions Gonzaga Bulldogs Shirt, hoodie, tank top, sweater and long sleeve t-shirt

Backstage the ’22 WCC Men’s Basketball Champions Gonzaga Bulldogs Shirt in addition I really love this mood was equally bright. “Conner just wanted fun and color and optimism, and to really pay homage to his icons,” says hair artist Anthony Turner, who worked with “very characterful” ’00s-era themes of club kids, gate-crashers, and American supermodels. “I was given so much freedom; I basically made a lot of the looks up backstage at the show!” he enthuses. Using a kit of Label.M Toni & Guy products for the occasion, Turner’s on-the-fly instincts took shape as rainbow barrettes, clashing hair extensions, and thread-wrapped braids that punctuated the hyper-chromatic collection. To crystalize his vision, Ives shared a numbered list of American archetypes for each look. Number six’s “The Supreme” represents “a woman with a certain affinity for a slinky dress,” while a caption under 11, “The Cowgirl,” reads “Wild women never get the blues.” Number 17, “The Fun Girl,” is described as “still claim[ing] to be a Carrie.” The showstopping final look, complete with floor-grazing ecru silk headscarf, was “The Bride,” listed at number 26, as “Carolyn Bessette-Kennedy on her wedding day.”