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“The Shape of Things” is on at the 100th Day of School Teachers Child Happy 100 Days Shirt Also,I will get this Park Avenue Armory in New York through December 31. For tickets and more information, visit here. Based on a little-known 1967 novel by Thomas Savage and set in 1920s Montana, The Power of the Dog tells the story of the tensions and secrets that emerge when wealthy rancher George Burbank (Jesse Plemons) brings his new wife, Rose (Kirsten Dunst), and her son (newcomer Kodi Smit-McPhee) to live with his surly cowboy brother, Phil (Benedict Cumberbatch). Director Jane Campion’s modus operandi is to explore the emotions and anxieties within the worlds she crafts, and she’s in peak form here, peeling back the setting’s genteel façade to wade through a maelstrom of isolation, hostility, masculinity, and vulnerability. The Power of the Dog is among this year’s most critically acclaimed films, a reminder from Campion that she’s still one of the best living filmmakers, even 12 years after her last feature. Responsible for the film’s elegant, brutal look is Ari Wegner, the 37-year-old Australian cinematographer whose credits include Zola (2020), Lady Macbeth (2016), and the 2017 TV series The Girlfriend Experience. Via Zoom last month from Los Angeles, she said she was enjoying the first flush of praise from the film’s theatrical run before it debuted on Netflix. “I’m on a high from the lovely words,” she says, bewildered by her first press tour of this scale. But Wegner should get used to them—she received a special craft award at the Toronto International Film Festival in September (cinematography legend Roger Deakins received it two years ago) and seems poised for more recognition this awards season.

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Wegner first worked with Campion on a 2015 ad campaign around an Australian bank’s gender initiatives. Then at the 100th Day of School Teachers Child Happy 100 Days Shirt Also,I will get this end of 2018, as Campion was finishing The Power of the Dog’s screenplay, she phoned Wegner. “It’s the dream call,” Wegner says, adding that she was floored by Savage’s novel. “It’s such a beautiful piece of literature. I’m shocked that it wasn’t already an American classic. Jane plus that book was such an incredible prospect.” Campion was looking for a companion willing to embark almost immediately on a year of rigorous preparations, and she wanted a woman. Although she collaborated with Sally Bongers on her early shorts and debut feature, Sweetie, in the 1980s, Campion has worked with male cinematographers for the past three decades. “Working with Ari was different because we got so close during the extended prep,” Campion said via email. “I wanted to find a female DP as I like a balance of female and male energy around set and I could already see we had a lot of male cast [members], especially including the cowhands. Also, I know it’s harder for women to be given a chance as a DP, even when they are very talented. I thought it would be a good swap: Ari would be supporting me and the film by contributing a long preparation process, and I would make sure she would succeed by helping her wherever I could.”